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Robert C. Fritz
Robert C. Fritz (1920 in Toledo, Ohio – April 9, 1986 in Los Angeles, California) was an American ceramics and glass artist and professor at San Jose State University in California. As a major player in America’s mid 20th century studio glass movement, Dr. Robert Fritz is remembered for his contributions to the world of art.
==Education==
Fritz attended San Jose State University from 1950 to 1956, where he was awarded the Bachelor of Arts and Master of Arts.〔Museum of Contemporary Design and Applied Arts, "Contemporary Glass Art" (exhibition catalog), Lausanne, Switzerland, 2000 page 309,〕 He received his Ph.D at Ohio State University. In 1964 Fritz received a scholarship from Harvey Littleton to participate in a four-week glass seminar at the University of Wisconsin. Russell Day 〔Day was a pioneering instructor in jewelry and glass design at Everett Community College in Everett, Washington () Accessed 7-31-09〕 was also in attendance; Marvin Lipofsky, a student of Littleton's who later founded a glass program at the University of California, Berkeley, assisted with demonstrations.〔() Accessed 7-31-09〕 Shortly before the seminar, Fritz attended the World Congress of Craftsmen, which was held at Columbia University in New York City. There he watched Littleton and his students demonstrate glassblowing on a furnace designed and constructed by Dominick Labino. Fritz also met glass artist Sam Herman〔Herman studied with Littleton in 1967-68 at the University of Wisconsin-Madison, where he was awarded the Master of Science. "Who's Who in Contemporary Glass," Joachim Waldrich Verlag, Munich, Germany 1993 page 199〕 at this time.〔Speis, Uta, "Erwin Eisch, Der Himmel fangt am Boden an", Dietmar Klinger Verlag, Passau, Germany 2007 page 15〕
The 1960s studio glass movement was born in 1962 when Harvey Littleton conducted a workshop at the Toledo Museum of Art with Dominic Labino and others.〔Warmus, William, "Fire and Form: The Art of Comtemporary Glass", Norton Museum of Art, West Palm Beach, Florida 2003 page 15〕 It was Littleton’s intention to, as he put it, "suggest the dimensions of glass as a medium for the artist."〔Littleton, Harvey K. "Glassblowing: A Search for Form," Van Nostrand Reinhold Company, New York, 1971 page 6〕 In the summer of 1964 Littleton and his German colleague, Erwin Eisch, co-taught a glass course at the University of Wisconsin, Madison; Fritz was one of their students.〔Glasmuseum Frauenau, "Harvey K. Littleton Zum 70. Geburtstag 14. Juni '92", Glasmuseum Frauenau, Franau, Germany 1992 (unpaginated).〕
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